If this had been in DC’s interests, then it would have been understandable. Then they just inexplicably undermined him editorially and professionally at every turn. I was thrilled when they gave him the wheel. Here is a writer who has brought these characters to what is, I believe, their largest audience and done so with stories loved by fans old and new. McDuffie during his run on the JLA comic. Black History Month ’09 #27: Life Is Illmaticġ0 comments to “Black History Month 2011: Dwayne McDuffie”Īs a well-meaning white nerd, I think the clearest example I have seen of institutional racism in comics was the way DC treated Mr.Great Moments in Black History #13: “Now I’m here to tell ya… there’s a better day”.That was a big help as a kid, and his career has been an inspiration as an adult. I’m thankful for the fact that he’s cognizant of his power as a creator, and simply tries to create worlds that reflect the ones we live in now. He’s built up a body of work that most people in his field should be jealous of and that fans should be thankful for. McDuffie did the job, and he kept doing the job. He did all of this while maintaining a career making successful cartoons. Still later came a sequel to Secret Wars called Beyond! and his all-too-brief run on Fantastic Four: The New Fantastic Four and The Beginning of the End. After that, he helped make me a believer in the JLA by way of the cartoon. Years later, McDuffie helped shepherd Static Shock to beating Pokemon in ratings on TV. The company was full of people who looked, acted, and talked like people I knew. It showed that there coule be actual black people in comics. Despite that, the fact that Milestone existed was big for me. I didn’t read all the way through those until I was grown. He was working on Icon and Hardware, which I tend to think of being more adult oriented rather than teen. In hindsight, the Milestone books I was really checking for as a kid ( Static, Blood Syndicate) weren’t McDuffie joints. Less watershed, but still important, was the formation of Milestone Media, courtesy of McDuffie, Denys Cowan, Michael Davis, and Derek T Dingle. Spike Lee’s Malcolm X was a watershed moment for me. Just by a happenstance of birth, I was the perfect age for Dwayne McDuffie’s work to have an effect on my, what, mental growth? Racial consciousness? Whatever smarty art type of word you want to use. Selected Works: Hardware: The Man in the Machine, Icon: A Hero’s Welcome, Static Shock Vol. (pencils by powerful paul pelletier, inks by rocking rick magyar, colors by preening paul mounts)
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